Quite a few things, really.
MMP – Good News!
Taking on a pretty big project – probably biting off more than I can chew. It basically involves me writing a module on live sound and teaching it to a group of six students from The Academy of Music and Sound. Got the go-ahead a few days ago after a meeting with their head, Jonathan Tait. It was a brilliant meeting and it went well – I was quite nervous because he was calling the shots whether I can use his students or not. He welcomed the idea with open arms and offered his full support – great success!
He took the email I prepared and circulated it around the Academy, to which I’ve already had 9 responses! I now have to take all applicants and filter them down so that I have at least one drummer, bassist, guitarist and vocalist… Might be tough as I haven’t had any drummers reply yet!
It was an uplifting feeling though, that people are interested in working alongside me, however now I must rise to the challenge I’ve set myself. I aim to work hard at this for the next few months, and will begin teaching the module in January. My biggest worry is that I don’t get enough work done, resulting in a disappointing end product. The last thing I want to do is let these guys down and create a bad reputation for myself…
Wee Red Bar
I’m forever busy working at the amazing Wee Red Bar, at the Edinburgh College of Art. Absolutely love it there and it’s the perfect venue for a young live sound engineer.
During busier months, I was used to doing up to 3/4 shows per week but now I’m down to 1 or 2. Suits me better anyway for when uni work sets in – tend to get carried away with work!
There’s been some cracking gigs happening the past couple months. Some of these include:
Hector Bizerk was probably the most memorable. They rocked up from another gig in Glasgow to play on a five band bill *shudders* with a 15-channel tech spec. I had 10 minutes to: reverse the previous stage setup, frantically rip apart the stage box for a whole new patch, throw extra D.I.s and mics in, set up their gear/electronics AND line check the entire setup, ready for their unique hip hop sound. Was one of the quickest changeovers considering, however they sounded fantastic as they’re a great act and really nice guys.
After a rather controversial change of hands in Cabaret Voltaire‘s operations, I’m back working there doing club shifts. Technically, everything’s changed in terms of control and overall sound. We have no mixing desk and outboard now, just a few switches controlling the amp levels of each room. All the lighting is automated and without a desk, meaning there’s no creative control over this. It’s a shame because even the little things like the timed flashing of par cans or building up a heavy strobe effect all makes a positive difference to people’s nights. Now, it’s too bright and colourful in the club, making it look cheap and cheesy. As for the sound, well, don’t get me started.
I’m still regularly playing bass with northeast ceilidh band, Ceilidh Stomp. We’re very busy in the wedding season and also with parties/fundraisers. I play with some great musicians including Liam Flaherty who first got me involved with the band. Clare Penny runs the band and is a ridiculously hardworking woman – definitely the most organised band I’ve ever been in! As I find myself performing less and less, it’s great to have gigs lined up as I’m busier with other work, and it’s a great source of income!
Getting things going with Bertrand. We’re an alternative rock four piece and have been together for a while now. I’ve been in the studio doing a bit of recording with drummer Ben where we laid some tracks down, also experimenting with a few different ideas. Hopefully in the next couple months you’ll have some proper recordings to listen to, as we only have demos with MIDI drums at the moment. We played at The Wickerman Festival in July and have just been to The Third Door supporting The Glitch. Anyway, yeah, I hope to begin tracking more of our songs soon. Stay tuned!